So it’s been a while since I last talked about Fantasy Skirmishing. Mainly because, like a wargames butterfly, I was distracted by something shiny and disappeared off into doing non-wargaming things for a bit (as well as losing motivation). However, this didn’t stop me picking more models and continuing to think about adventures
First of all, you may notice the name of this project has been changed. The reason is pretty simple – after finally settling on a story or setting, I realised dungeons would end up only being a little part of the games I’d want to play. Sure progressing through a maze of tunnels is fun, but so is ambushing carts on a forest road, brawling in the local tavern or even sneaking past the town guards through the streets of some fantasy town.
The other reason was the lack of chandeliers in most dungeons.
I mentioned setting above. Well, I’ve been talking with a friend, often about story ideas, and we came up with a fantasy setting to base some of them in. The world takes a lot of inspiration from other fantasy settings, along with a few twists of our own. Now, it’s still in development, so lots of things keep changing with it. You might see a few names change even between posts on this blog.
This is the continent of Eutanica, one of many on the Lonely Sphere. It is split between two rival kingdoms. In the North, the King of the Dark Elves rule – his navy crosses the seas to bring back slaves and plunder from other continents while worship of the twin Elven gods of War and Shadows powers his armies. In the South, the Queen of the Iron Kingdoms gives praise to the Morrigan, her nation a patchwork quilt of smaller kingdoms united under a common ruler. It advances ahead thanks to bottling lighting and using it to power a host of machines, from weapons of war to great Iron Ships. These two powers, once almost close to being united through friendship, were torn apart by a flashing blade and now exist in a state of semi-war.
And in between these two superpowers? The Marches.
Comprising of multiple smaller nations, The Marches are what have stopped these two greater powers from attempting to wipe each other out. None of these independent kingdoms has the might to challenge the Dark Elves or the Iron Kingdoms but neither would they be simple to overrun and subject. Instead, this separation has started a cold war, with both superpowers seeking to improve their influence over the buffer, gently pushing the balance of power. Both powers send their agents, such as the dreaded Dark Elf Shades and the Swordmasters of the Iron Kingdoms to assemble alliances, impress the locals and generally push their agenda forward.
And this is where the players come in.
I am a fan of narrative wargaming, to put it mildly. So my concept for this project is that each fantasy skirmish will be wired together to form miniature campaigns. Each “campaign” will represent a single quest, with the players picking small groups to represent their adventuring companies. And like every quest, each will begin with a meeting (sometimes in a tavern), progress through the mission’s various stages (with smaller battles) and usually end in some terrifying finale against a dangerous foe (ranging from rival agents to the undead to servants of the Elder Gods).
The actual battles will probably be fought using Open Combat, giving a versatile tool kit to build everything from a ratman with a knife up to Greater Demons of the Dark Prince (…maybe… if something goes very VERY wrong for the players). I’m only aiming for small battles so we don’t need to deal with things like ranked up groups. Open Combat is also relatively easy to bolt stuff onto, so weird effects like magic shouldn’t be too hard to stick on.
Of course, all these games need figures. More importantly, my collection is full of unpainted fantasy figures that someone bought and the painting logbook is merciless. Let’s take a look at what I have done so far.
Iron Kingdoms Ruffian
Ruffians, rogues, scum of all kinds. A good recruiter will find them throughout the Marches, even if their quality does vary from soldier to soldier.
First model painted, this is a Ghost Archipelago crewman. The main thing here was getting used to contrast paint for the skin and painting things other than camo. There are going to be a chunk of these Ruffians assembled and painted. Mainly because these guys will form the core of most adventuring parties or (if not chosen) be causing havoc while working for rival employers.
Lacelle “Gordelan” O’Dicca, Swordmaster
Swordmasters are the Iron Kingdom’s main agents in the foreign lands. Trained in the ways of the blade and the wit, Swordmasters travel around to push their Queen’s agenda. Lacelle is one such Swordmaster. As fast with her tongue as she is with her blade, O’Dicca is notorious for causing havoc and mayhem wherever she goes.
One of North Star’s Swordmasters, this was one of those models I just had to have. Painting the puffy sleeves (in Iron Kingdoms red and white none the less) was especially fun. She may not be on the board very often, but I guarantee she will cause havoc.
Benfrey Jochman, Swordmaster
Perfectly paired, Benfrey is the yin to Lacelle’s yang. While she is fast talking and emotive, Benfrey is usually quieter, lurking in the corner of the tavern waiting to tell the poor saps she has hired exactly what they will be doing. In battle he works perfectly alongside the quick strikes of O’Dicca, often delivering crushing final blows.
The other Swordmaster, painted up to be contrasting with Lacelle. At the same time, the red and white cloth at his waist shows off his allegiances.
For many in Eutanica, poverty can often be a bad harvest away. Luckily, ‘Mouse’ has developed a very special set of skills to assist her in redistributing wealth in her advantage. And for a fee, she’ll join your adventuring group to use them for other purposes.
I really like this little figure. Small than the others in the range, she just looks the very model of a fantasy thief.
Syghilda, Dark Woods Wanderer
Between the lands of Siccarius and Ruskov lies The Dark Wood. Many leagues across, this dense forest is a place of superstition and danger. Some say that the Elder Gods themselves stalk between those trees, their servants living alongside humans who fled into there thousands of years ago. Occasionally, denizens of this forest venture out to live among the more civilised people of Eutanica. With pale skin covered in strange eldritch markings, they are worthy warriors, unnaturally tough and strong.
This was a fun model to paint. Lots of exposed flesh to cover in my attempt at tattoos and then a bright vibrant hair colour to draw the eye. She fits the Celtic barbarian idea that the Dark Wood’s inhabitants are supposed to evoke, even if she is a little bit more refined.
Ser Renault, Knight of Fransya
North of the Iron Kingdoms, Fransya is ruled by a monarch but the individual peasants owe the fealty to one of 12 Knightly Families, each with their own traditions. Blood matters little to these families – a knight must prove themselves worthy of the name, often by embarking on quests elsewhere in the Marches.
Honestly, super simple to paint but super evocative. I love everything about this model, from the posing to the mix of armour and cloth. I went for a simple tabard, as this questing knight hasn’t earned the right to wear his house’s full colours.
Zarqaa, Farisian Demon Hunter
Hailing from a land across the sea, the Farisian Demon Hunters travel the world to slay creatures of the Elder Gods wherever they may be found. Painting their skin in ash to hide their presence from the beasts, they have many tools to banish or trap their prey. The gold on their cloaks can attract wandering eyes, but the large sword is often warning enough.
Another evocative model, whose back story was written while painting. The mix of weapons and layers of clothing were fun to paint – a light coloured lower cloth is probably all she would need back home but the other layers hold back the chill. Plus, I’m excited to introduce this sort of character into quests.
The Old Lioness, Iron Kingdoms ADVENTURER
Not all heroes can settle into a quieter life. The Old Lioness is one restless soul, happier travelling the roads than settling down to live by a fireplace. Strangely, records of a woman resembling her have existed for centuries, leading some to question just how old she really is…
One of the Heritor models. I really like this set, and for her, I went with the old adventuer look. Drybrushing on the grey hair is fun, but also adding touches like armoured plate beneath her clothing to lure in the unaware
In ancient places, far from home,
In tattered skin and browning bone,
Metal rusts, fabric decays, all goes below,
But Evil is a hardier foe…
I don’t have to say much – this figure is one of those that got me out of my funk and back into painting. It reeks of evil and malice, standing taller than most other figures, thin but also worrying. This is an enemy that will appear in the finale, the corroded metal and exposed bone there to terrify the players…
Cultists of the Undead
The dead should say dead, say the Covenant of the Iron Kingdoms. However, dark magics exist in this world and some mortal men wish to put the dead to other purposes. These necromancers often form cults around their work, offering immortality in exchange for service.
These were fun models to paint. I think my gold was a little too thick (I’ve lost some of the detail on the masks) but it is a nice contrast to the black robes and corroded metal. Plus great weapons to smash apart those goodie two shoes wanting to interrupt their master’s work.
Although skeletons with rotting clothes may have a certain visceral horror to them, loyal acolytes are much better when dressed as they were in life. And returning them as the undead means they are much less likely to tell the local constables exactly what their master is up to when captured…
These guys. Skeletons in robes have a glorious comedy to them even while looking horrifying for the part. I had great fun painting the bone thanks to how easy washes and well-sculpted figures make it.
So that’s the new update done. Obviously, I have a lot of painting ahead of me, and a lot of games to plan. I’m in the progress of planning the first few adventures (which is mostly assembling generic scenarios and working out the right bad guys for them) but the main thing is going to be finishing off the figures I have while trying very hard to not buy any more. One of the advantages of fantasy is just how many ranges full of shiny things there are…
And what’s next?
Elves. Damn, dirty, scheming Dark Elves